Salt Lake turns Puja hot spot

Innovative Concepts To Pull Crowd

Ajanta Chakraborty & Suman Chakraborti TNN

Kolkata: Priyanka Ghosh lives in Behala, which has its own share of high-profile pujas. But every Durga Puja, she reserves a whole day only to visit pandals at the other extreme of the city in Salt Lake.
    Her love affair with Salt Lake pujas began in 1998 when FD Block recreated Titanic. “Since then, booking an entire day for Salt Lake has become a ritual. We start after an early lunch and return late at night,” the 38-year-old homemaker quipped as she remarked: “I wonder if it will be Panchami or Shashti this time.”
    And, for FD block resident Simontini Das, it’s only Salt Lake during the Pujas. So, when was the last time she had gone pandal-hopping in other parts of the city? The 35-yearold shrugs, “Years ago. Before I was married and moved to Salt Lake. I have never felt the need to venture out of Salt Lake during Pujas.”
    Both Ghosh and Das — with their respective pandal-hopping preferences — are busy drawing up their must-see list of Salt Lake pandals. And the list doesn’t necessarily include F D Block. Pandals in the township have come a long way since the “Titanic era”. HB Block Residents’ Association secretary Abhijit Chandra vouches for that.
    “Initially, our pandal became a hit simply because we were just across FD. But now, our puja, all of 27 years, has an identity of its own,” he says.
    Little wonder then that planning starts months ahead. The TOI team found murals being conceived with care to depict Ram’s ‘Akal Bodhon’. “Ours will be an innovation based on tradition. It’s bound to be a major stop-over,” claimed Chandra. The concept has been meticulously worked out by Prabir Saha of the Government Art College and is being implemented at a cost of Rs 12 lakh.
    Concepts as opposed to themes seem to be the order of the day at Salt Lake pandals. The one coming up on the park at AE (part I) Block looks quaint with a 40-foot waterbody dug up. In the midst are scores of ladders in different hues. Secretary Supriyo Chakraborty explains: “Our slogan is Matir Tane Mati Mukhi.” The pandal depicts the ups and downs of humanity — the ladders symbolizing the struggle to stay afloat.
    “The best thing about Salt Lake puja pandals is high art within a mediocre budget,” explains Soumendra Banerjee, a resident of AE (part I) Block. “Among the 112 pujas (one in each ward), around 50 are exceptionally good. But the thrust is on character rather than cost. A lot of thought and professionalism goes into the making each pandal.” According to Banerjee, who once lived in Manicktala, “Most of pandals live up to the middle-class para culture which is woven into the ambience. No wonder, the average budget isn’t more than
Rs 10 lakh to Rs 12 lakh.”
    Painter Suvaprasanna, however, feels that Salt Lake has a “readymade ambience”, but it’s not quite middle-class. When I started living here, I thought this was a township for NRIs — far removed from the old world charm of north Kolkata. It’s tranquil against Kolkata’s vibrancy. More and more people are thronging these pandals for the sheer combine of comfort and aesthetics.”
    But then, it’s a competitive world. So what if it’s only restricted within the borders of the township. Every pandal is vying to give the other a run for footfall. The “concept” raked up by the organisers of BE East puja committee is “Shomoy Akhon” (time now). Into its 32nd year, the pandal will resemble a sundial showing the continuous passage of time. Budget? Not more than Rs 11.25 lakh.
    The “concept” for the Labony Estate Puja is innovative, yet topical. Although secretary Sumit Sarkar insists that it’s strictly apolitical, but Labony (in its 37th year) is recreating the four Vedas to trace ‘Woman Power’. Sarkar informs: “In the ancient era, women used to be emancipated and were reduced to slaves after the Manu-Samhita age. Our pandal will reflect the various stages of the society, culminating in the present when the woman gets back her freedom and rises to the decision-making level.” A recital by Ayaan Ali Khan will add zing to the Labony puja this year.
    CKCL Block — celebrating its silver jubilee — is erecting a pandal out of steel wires. Says secretary Dibyendu Banerjee: “The pandal is an abstract temple. The mandap has been christened ‘Pragati’ or progress. Steel represents development.” Another silver jubilee Puja, IB Block Welfare Association, plays around ethnicity, woven out of eco-friendly products like jute and bamboo. “Our pandal blends ritual, culture and tradition,” says secretary Partha Mitra.
    Finally, the fattest budget so far is attributed to FD Block Sarbojonin: Rs 20 lakh. The concept: Shaktipeeth. The idol: 14.3-m high. The pandal: a mountain with 12 Shiva Jyotirlingas placed on different spots. The showstopper: a Nataraj statue to the left .

(Clockwise from above) Decorations for the Labony Estate puja; the HB Block puja is depicting ‘Akal Bodhon’; the 14.3-m high FD Block pandal; the IB Block pandal decorations

Krishna Nagar Original Durga Idol in Salt Lake, Cluster-13

Hand-made pottery is predominantly a woman's art in West Bengal. Women of Kumbhakar (potter) caste and of Patua caste generally make variety of dolls and toys. These hand made figures, small dolls and toys are done by pressing and moulding methods. In Bishnupur (Bankura), Chaurigacha - Katalia (Kandi - Murshidabad) and some other places in Midnapore and Bankura the most primitive method of hand-modeled pottery is still pursued almost exclusively by women.

In West Bengal big jars are usually prepared by men and comparatively small pots are made by women. Clay modeling by hand is widely practiced by the women of Patidar Chitrakar (Painters) castes. In Bankura Midnapore, Birbhum and some areas of Howrah, Hooghly and Murshidabad districts, women of Kumbhakar and Patidar- Chitrakar are engaged in making hand - modeled pottery as part time occupation. The women of Sankhari (conchshell carvers) families in Bishnupur (Bankura) make clay figurines of mother-dolls at a particular time of the year, especially for ritual purposes. Two principle variants of West Bengal Pottery are Bankura-style and Krishnanagar-style.

Krishnanagar Pottery

Krishnanagar clay-modeling is about 250 years old and the potters of Krishnanagar did not originally belong to their present locality. Krishna Chandra, the Maharaja of Krishnanagar in 1728 brought them from Dacca in East Bengal or from Natore in North Bengal.

In Krishnanagar pottery the social scenes of our country and the people, the different castes and racial types are reproduced realistically in clay-models. For example social scenes like collectors court, tea garden, Pandit-Sabha, Charak festival etc are used in clay modeling. This pottery is very popular and in most of the international exhibitions held since 1851, Krishnanagar clay-models have won medals and certificates and also great admiration from the people of Europe. The prices were very high even one hundred years ago and one can easily imagine its possible clientele today. The customers of these models used to be mainly Europeans.

The worship of Goddess Durga is very much part of Bengal’s Culture and spiritual heritage. Keeping this in mind, the Purba Durgostsav Committee of cluster 13 sparing no efforts to make this festive occasion joyous and meaningful with the total participation of local people, especially all the women who took special initiative to raise funding and making this puja successful in all the respects. The enthusiasm and spontaneous participation is the spirit of this festival, stated by Mr. Mihir Sarkar the renowned Archeologists and secretery of this Puja society.

The pandal is made by Plywoods instead of making it with conventional idea of cloth rugged pandals. The designers and craftsmen from Burdwan district, erected and beautified the panda lwith wooden colorful puppets, while this is the first time Saltlake City would witness the idol from Krishna Nagar. The gorgeous deity and the artistic finish of the matri murti is astonishingly bright and made us to bow our head and surrender all our devotion to its own feet.--

Posted By Dibyendu Choudhury